![]() Time may not permit entire movements from concertos / sonatas to be performed in the auditions, but rather major compositional sections such as Expositions.ĭouble Bassists may select a Jazz Standard to perform as one of their two solo selections. The chosen literature should demonstrate the student’s present skill level. two movements from the same work with contrasting tempos) or by two different composers (preferably from differing style periods). The two compositions may be written by a single composer (e.g. Erik Rohde (strings) - visit the Ensembles Auditions page for more information.The bowed strings audition at the Hayes School of Music consists of at least two solos of the student's choice that contrast in tempo and/or style. Danny Galyen (winds, brass, percussion) - or Dr. Students wishing to be non-music majors who are interested in being a part of ensembles only (not taking lessons and not auditioning for scholarship) should contact: Dr. Suzanne Hendrix-Case ( regarding placement in non-major lessons please note, there are currently no voice scholarships for non-major students. ![]() Vocal students interested in non-major lessons may contact the vocal division chair, Dr. Students wishing to be non-music majors who are interested in taking lessons and/or auditioning for scholarship should fill out the music supplement application above, and should select NON-MUSIC MAJOR in the drop-down menu. In cases of departmental need, certain non-major instrumentalists may be considered for scholarship. Please note: the listed repertoire and audition information listed here is specifically for students planning to major or minor in music, and for students wishing to audition for non-major scholarships. The performance will include the melody, comping, and single-note improvisation. Questions about appropriate repertoire may be directed to the instructor, Jazz audition: single-note sight reading, chordal sight reading, appropriate comping (rhythmic chordal accompaniment) in Swing and Bossa Nova styles, and performance with a John Coltrane, Kenny Burrell, etc., or a thirty-two bar song from composers such as George Gershwin, Cole Porter, Rodgers and Hart, etc. Pop/rock songs such as “Dust in the Wind” are not acceptable. Classical audition: one or more selections from the classical guitar repertoire.Two octave major and minor scales in all keys over all regions of the fingerboard. ![]() If the student has no prior experience in classical guitar, the classical audition may be deferred to a later time to allow for preparation.Īt the audition, students will be asked for: However, students who wish to study jazz guitar MUST also study classical guitar. Students who wish to study classical guitar exclusively do not need to complete the jazz audition. Regardless of degree program, students who wish to study guitar as their major instrument must audition on and study classical guitar. ![]() ![]() Vaughn Williams – Six Studies in English Folksong Galliard – Sonata (Any) Bass Trombone Editionĭefaye – Deux Danses (bass trombone edition) Guilmant - Morceau Symphonique (Concert Piece) Sight-reading will also be included in your audition. Please perform the following two-octave scales no faster than quarter-note = 60: Eb-major, C-major, A-major. Voxman, bass trombone: measures 1-32 of etude #18 on page 19 in 50 Etudes for Bass Trombone by Grigoriev arr. This will be in the form of a required excerpt(tenor trombone: measures 1-16 on page 11 in Selected Studies for Trombone by H. Requirements - Examples of overall abilities on the instrument, to include musicianship, sound quality, lyricism, technique and range. ![]()
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